Just after posting the previous post, I had a bit of free time, so I played the musical free-association game: I choose a song to start with and play it, and when each song ends, I play whatever comes to mind next — which will generally be related in some way. Here’s what I played this time:
- Frankie Valli and the Four Seasons, “Walk Like A Man”
- They Might Be Giants, “How Can I Sing Like A Girl?”
- The Bee Gees, “Stayin’ Alive”
- James Taylor, “Walking Man”
- Leonard Cohen, “By The Rivers Dark”
After that, the next song that came to mind was Don McLean’s “Babylon” — which, like the Cohen song, is based on Psalm 137. I wasn’t really in the mood for Don McLean, though, so I stopped the association stuff and just put iTunes on random shuffle. The third or fourth song it selected on random shuffle was — wouldn’t you know it? — Don McLean’s “Babylon.”
Less than an hour later, I picked up Krailsheimer’s Pascal again and found the following passage:
The rivers of Babylon flow, and fall, and carry away.
O holy Sion, where everything stands firm and nothing falls!
We must sit by these rivers, not under or in them, but above, not standing upright, but sitting down, so that we remain humble by sitting, and safe by remaining above, but we shall stand upright in the porches of Jerusalem.
Let us see if this pleasure is firm or transitory; if it passes away it is a river of Babylon.
A footnote explains, “This fragment is a paraphrase of a meditation on Ps. CXXVII [sic] by St Augustine.” All this happened just hours after I had written a post which quoted St. Augustine in connection with popular music (facetiously citing “noted Augustine scholar Sir Michael P. Jagger”).